Gladys Mortenson. Small - Who's Afraid of J. Small Joy Kleinman. Lynn Onkman. Mother uncredited. Justin Timberlake: Motherlover Video short Mother. Woodcock Beverly Farley. Alicia Green. Susan Sarandon voice. Patty and Selma Ballet Teacher voice. Susan B. Jerri Nielsen. Princess Wensicia Corrino.
Cecilia Monroe. Clark voice. Show all 12 episodes. Margaret Ann Jessup. Edda Mussolini Ciano. Natalie Carlsen.
Helene Shaw. Younger Deborah Franklin. Patsy Johnson. Sarah Fairbanks. Patrice Kahlman. Show all episodes. Hide Show Producer 14 credits. Hide Show Additional Crew 2 credits. Hide Show Soundtrack 18 credits. Hide Show Thanks 11 credits. Hide Show Self credits. Show all 27 episodes. Self - Guest. Show all 14 episodes. Outlaws Self - Interviewee. In The Witches of Eastwick , she played one of three women seduced by the devil Jack Nicholson and developed special powers.
This lighthearted battle of good vs. Robbins would later become her partner in real life. Sarandon delivered one of her most memorable performances in Thelma and Louise , co-starring with Geena Davis as two friends on a road trip turned wrong. Her portrayal of the tough, protective and somewhat broken Louise brought her another Academy Award nomination.
Sarandon was also nominated for Lorenzo's Oil and The Client She played a nun in the gritty and powerful drama Dead Man Walking , winning her first Academy Award for her performance. The television show, developed by Ryan Murphy, focused on the legendary bitter rivalry between the two Hollywood icons. She received critical acclaim for both films and was nominated for an Oscar for Atlantic City. So to survive, I will have to learn something and overcome it.
In Pretty Baby Sarandon plays a prostitute whose child played by Brooke Shields also grows up to be a prostitute. She took another risk in one of the opening scenes of Atlantic City by bathing her bare breasts with lemons in front of an open window. Another risk Sarandon took in the early eighties was to work in theater. She formed an improvisational company with friends. She followed this with a well-received performance in Extremities.
The play deals with an attempted rape and what occurs when in a surprising twist the intended victim captures her would-be rapist. As Sarandon explained to Blau, " Extremities is a metaphor about the animal in you. And it's about power. Not sex-that's not what rape is about; it's the rage a rapist feels and the power he is exercising.
She's learning from him about power. The play is about the contagion of violence. In an interview with Christian Williams, for the Washington Post, she compared theater to film. Making them is very slow, and there's a lot of waiting around.
But on a stage it's overwhelming. You and the audience become completely involved, laughing and crying together and if when it's over they applaud, there's no way to avoid believing that you contributed to it.
Eva's father is writer-director Franco Amurri, Sarandon's partner at the time, but the relationship did not last. Gloria Jacobs in Ms. It's not altruism, it's understanding that we really are all connected. We're not isolated.
We are the world. She was set to play Alexandra in The Witches of Eastwick until Cher was recast in the role at the last minute. It was only after arriving on location in Massachusetts that Sarandon was told she would be playing Jane instead and needed to learn how to play the cello , an experience she described as humiliating.
Lived with Louis Malle from to Fans often confuse Susan with Sigourney Weaver and vice versa. Occasionally, the less famous Lesley Ann Warren also gets mistaken for her.
Caused a stir in when she defied Ronald Reagan 's opposition to the Sandinista government by taking an eight-day trip to Nicaragua, delivering milk and baby food to needy mothers under the auspices of a New York-based women's group called Madre. The only actress to be directed by both Ridley Scott and his brother Tony Scott. Marched in a pro-choice demonstration on the National Wall in Washington D.
Arrested on charges of civil disobedience in New York City for protesting the tearing down of the Morosco Theater on Broadway. Almost signed on to star in Serial Mom but the deal fell through due to scheduling conflicts and salary dispute. Is a self-confessed cannabis user and admitted on Bravo that she's been stoned at almost all award shows except the Oscars.
Seemed noticeably high during a Letterman appearance as well, despite her quick-witted responses. Endorsed Jill Stein as her vote of conscience in the presidential election of the United States; because of this, Hillary Clinton 's supporters harassed Susan so much that she had to change her phone number.
She was asked to pose for Playboy about 25 times and always said no. Had been attached to several Bette Davis biopics that never came to fruition, since the '80s, before finally portraying the screen icon in Feud: Bette and Joan Ex-de-facto-daughter-in-law of Gil Robbins and Mary Robbins. In mid, a burglar broke into Sarandon's Manhattan apartment while she was out of town and stole a laptop, camera and jewelry, and some papers.
Refuses to give interviews to the NY Post ever since they printed a story about an orgy taking place at her home in December She has twice used Freedom of Information laws to access her FBI file, and claims it reveals her phone conversations are routinely monitored by the US government. Dated David Bowie and Sean Penn in the early s. An aspiring ballerina in early life, she turned down a scholarship to the Boston Conservatory of Dance. Surname is pronounced "Sa-RAN-don", just like "abandon".
Returned to work five months after giving birth to her son Jack to begin filming White Palace Was six months pregnant with her daughter Eva Amurri when she completed filming on Compromising Positions Was four months pregnant with her son Miles Robbins when she completed filming on Lorenzo's Oil Returned to work sixteen months after giving birth to her daughter Eva Amurri to begin filming The Witches of Eastwick She also played the daughter to fellow winner Ellen Burstyn in The Calling She has three tattoos: her children's initials on the back of her neck; a bird flying from a birdcage on her inner right forearm; and an image of what looks like a stylized letter "A" forming a wave on her left forearm.
Turned down the role of President Elizabeth Lanford then played by Sela Ward in Independence Day: Resurgence because the script was incomprehensible. They didn't get to know each other in the biblical sense until Susan filmed Der Duce und ich in Rome. Her real debut, "The Next Oasis" was abandoned and remains unreleased to this day.
I choose projects I can talk about for days because now you do publicity for as long as it took you to shoot the movie. I feel I've always been on the outside and always on the edge of an abyss. The women I portray, and the woman I am, are ordinary but maybe find themselves in extra-ordinary circumstances, and what they do is at great cost.
If you can continue to say yes to life and to maintain a certain generosity of spirit, you become more and more of who you are. I think the only reason I remain an actor is that you can never quite get it right. So there is a challenge to it. If I were 22 and trying to build a career, I don't know who'd be watching the kids as happily as I do. It takes so much to get me to break out of domestic paradise.
There's hardly anything that interests me as much as my family. I knew when we were filming that it would be different, unusual and hopefully entertaining.
But shocking? I guess giving women the option of violence was hard for a lot of people to accept. People will like you for the wrong reasons your entire life, even if you don't have parents who are celebrities. They will like you because you have a car or you have money or your breasts are big.
You're so lucky in Ireland, England and Spain. Everyone there already knows what it's like to have inexplicable terrorist violence. The thing that's bad about breasts is that you have to choose between having a mind and having breasts. It'd be nice if you could have both. Anyway, I think my breasts have been highly overrated.
The largest party in the United States is the 50 percent who don't vote. It's always so painful to watch yourself. That never changes. I still sit there and think, "Oh, that scene is missing? Wasn't I good? What happened there? I haven't yet had any plastic surgery, but I won't knock it. I think women have the right to do anything they want to their bodies that makes them feel good about themselves.
It's hard to be in this business and be viewed on a screen that's huge. You can see every single line. But I think it's an aesthetic choice for the individual. I don't like it when surgeons take a perfectly interesting looking woman and she ends up looking like a female impersonator with these gigantic breasts.
It's just so extreme and that worries me. I think everyone is looking the same. My children were embarrassed at my Lincoln Center Tribute. I forgot they would show film clips and my children hadn't seen anything. Every time something a little racy would come on like The Hunger , I'd look at my year-old, who was shielding his eyes. I'm certainly not an expert, but Tim and I just celebrated 17 years together, which in Hollywood years I think is I think the key is just focusing on this one person and not keeping one eye on the door to see who might be better.
I never think about humiliating myself. I keep focusing on wanting to do a good job. I think one of the reasons I haven't married Tim is that I hate that couples assumption - that once you're committed to someone you stop treating each other as individuals.
I like getting up knowing I am choosing to be with that person. I've always had my mouth open. Whether people listen to me or not, I don't know. But I've always made suggestions. Every film is political in that it tells you some idea: What do women want?
What does it mean to be a man? What is just? What is funny? What can you laugh at? What is not funny? So we notice the ones that challenge the status quo.
I have to decide what to focus on so it doesn't become a joke to see my name everywhere. But I resent it very strongly when people say, 'Oh, this year she's into Central America, but before that it was the homeless,' as if it's some kind of hobby I take up to fill my spare moments. These are all issues that have grown out of a personal fear.
Fear definitely motivates my life. It's not a choice about being political. It's just a matter of feeling impotent and waiting for the next horrible thing to happen, or else deciding to make my voice known. Every traumatic thing I've ever been through, personal, professional, whatever, has always, down the line, paid off somehow.
I consider myself lucky. The difference between theatre and film is kind of like the difference between making love and masturbation. You have to be careful not to be upstaged by your breasts. I've gotten curvier as I've gotten older. Directors cast the men they want to be and the women they want to have.
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